Models - Role

Here is the full text of the short story by the American author John Updike (first published in The Atlantic Monthly , 1994, and later included in his collection The Afterlife and Other Stories ). Role Models By John Updike

“I asked her what she meant by ‘innocence.’ She looked at me for a long time, and then she said, ‘Innocence is the belief that something is true because you want it to be true. It is the belief that the world is good because you are good. It is the belief that the people you love will never hurt you, and that the people you hate will never win. It is a beautiful belief, and it is always wrong.’”

There was a silence. Then someone laughed, a nervous, polite laugh, and the tension broke. People began to talk among themselves, and the poet turned away from the fireplace and walked toward the bar. I followed him. Role Models

“She was a large woman,” he said, “with a large head and large hands. She wore a brown corduroy suit and a brown felt hat, and she sat in a large armchair, and she talked. She talked about the war, the First World War, which she had lived through, and about the way the young men had come back from it, changed. She said they had lost their innocence, and that this loss was the only thing that mattered, the only thing worth writing about. She said that Hemingway had lost his innocence, but that he had found a way to write about it that was like a clean, white line on a blank page. She said that Fitzgerald had lost his innocence, but that he had found a way to write about it that was like a beautiful, sad party that went on too long. She said that she herself had never lost her innocence, because she had never had any to lose. She said that innocence was a luxury of the young, and that she had never been young.”

The poet stopped again, and this time he did not go on. He looked into his glass, as if the wine held a vision, and then he looked up and said, “I have spent my entire life trying to get that innocence back. And I have failed.” Here is the full text of the short

“I’m sorry,” I said. “I didn’t mean to offend you.”

I met him at a party given by a couple who were both therapists. The party was in a large, white, high-ceilinged room in a house that had once been a barn. The therapists, like many in their profession, were rich. Their friends were rich, or at least successful—lawyers, doctors, producers, professors, and, like me, writers. I was a writer of some reputation, but my reputation was not as great as his. He was a famous poet, one of those poets who become famous without ever writing a best-seller, without ever appearing on television, without ever being photographed in a magazine. He was famous because his poems were beautiful and strange and because he had been, for a time, the lover of a famous actress. The famous actress was dead now, dead of cancer, and the poet was old. He was seventy-three, and his face was a map of wrinkles, his hair was white and thin, and his eyes were the color of the sea in winter. He stood by the fireplace, holding a glass of white wine, and people gathered around him, listening to him talk. I stood on the edge of the group, not wanting to intrude, but wanting to hear what he said. He was telling a story about a time when he was young, a time when he had gone to Paris and had met Gertrude Stein. It is the belief that the people you

“That was a wonderful story,” I said.

“That I used to be young,” he said. “And that I used to believe in things. Now I’m old, and I don’t believe in anything. Not in God, not in love, not in art, not in myself. I don’t even believe in the truth. I just tell stories.”

“You didn’t offend me,” he said. “You just reminded me of something I’d rather forget.”