Met Art 2013-02-19 Riscatto Susana C By Catherine Apr 2026

Unlike the high-energy, overtly sexualized shoots that saturated the early 2010s, Riscatto is subdued. It whispers. Catherine chose a location that acts as a character in its own right: a brutalist architectural space characterized by raw concrete, sharp geometric lines, and large, diffused windows.

There are certain editorials that transcend the typical boundaries of "glamour photography" and step firmly into the realm of fine art. In the vast archive of MET ART, a publication known for its high aesthetic standards and celebration of the female form, the shoot featuring Riscatto and model Susana C , released on February 19, 2013 , remains a standout example of minimalist perfection. MET ART 2013-02-19 Riscatto Susana C By Catherine

What are your thoughts on the minimalist era of MET ART? Do you prefer the high-contrast black and white of the early 2010s or the color saturation of today? Let me know in the comments below. There are certain editorials that transcend the typical

This editorial appeals not just to fans of MET ART, but to students of photography who study the Bauhaus movement or the work of artists like or Edward Weston . It proves that nudity in art doesn't need to be confrontational. It can be introspective. Do you prefer the high-contrast black and white

The set relies heavily on natural light. Large panes of glass flood the room with soft, overcast daylight, creating long, dramatic shadows that stretch across the floor and wrap around the model’s body. The contrast is stark but gentle—the hard, cold concrete against the soft, warm skin of Susana C. Susana C was not a newcomer to the MET ART scene in 2013, but this particular shoot with Catherine elevated her portfolio significantly.