
RetroBat is a software distribution designed for emulation and to be the easiest way to enjoy your game collection on your Windows computer. The supplied EmulationStation interface is fully functional and highly customizable. You can run all your games from it and search online for visuals to enhance the presentation of your collection.
RetroBat allows you to download, update and configure the most renowned emulators directly from the interface. You will discover or rediscover the best games designed for consoles, arcades and computers released to date.
No need to get lost in the options of a multitude of software, all the important options are integrated in the same unified interface.
With RetroBat, you save time that you can use to play!





To work properly, the following requirements must be met.
OS :
Windows 8.1 64 Bits, Windows 10 64 Bits, Windows 11 64 Bits
Processor :
CPU with SSE2 support. 3 GHz and Dual Core, not older than 2008 is highly recommended.
Graphics :
– If you want to use emulators such as Dolphin, PCSX2, RPCS3 etc.. you need a modern graphics card that supports Direct3D 11.1 / OpenGL 4.4 / Vulkan
Software :
– VC++ Redistributables (both 32 & 64 bits)
– DirectX
Pad :
You need one or more pads (See recommended controllers)
For a moment, nothing happened. Then, a crack split the earth. From it rose not a flower, but a small, flickering flame—blue as the summer sky, warm as a mother’s hand. The flame touched the skeleton of the rose, and the thorns softened, curled, and burst into bloom. Not a blue rose, but a rose of countless colors: red for courage, gold for laughter, white for tears, and a deep, familiar indigo for the memory of Mount Fuji at dawn.
The head priest declared it a curse of apathy. But Mai knew the truth. The garden in her dreams was not a fantasy—it was a warning. The blue rose was the heart of the village's memory, and it was dying.
One night, she took her grandmother's old kanzashi —a hairpin carved with a phoenix—and walked into the ancient forest behind the shrine. The path was overgrown, not with weeds, but with forgotten promises. She found a gate of twisted willow wood, humming with a low, sorrowful tone. On it was a single kanji: ( Wasure – Forget).
Inside, the garden from her dreams stretched before her, but it was broken. The glass flowers were cracked, leaking pale light. The silver petals were tarnished. And at the center, the blue rose was now a skeleton of thorns. mai hanano
Without hesitation, Mai stepped through.
In the shadow of Mount Fuji, where the morning mist clung to the tea fields like a held breath, lived a young woman named Mai Hanano. Her name, meaning "dance of the flower field," was a promise she had yet to fulfill.
"Then I will plant something now," she said. For a moment, nothing happened
"No," Yūgen said, turning his blank face toward her. "It is your heart. Every shrine maiden who came before you tended this garden. Your grandmother planted the silver petals the night she lost her sight. Her mother grew the glass blossoms the day her fiancé died in the war. You have inherited a field of other people's grief, and you have never planted anything of your own."
"You are Mai Hanano," he said, his voice like dry leaves. "I am Yūgen, the Gardener of Lost Things. You should not be here."
Mai was a miko —a shrine maiden—at the small Hanano Shrine, a place her family had tended for generations. She could perform the kagura dance, purify the sacred ropes, and fold omamori charms with her eyes closed. Yet, her own heart felt empty. Every night, she dreamed of a garden of impossible flowers: blossoms of glass that chimed in the wind, petals of silver that held moonlight like water, and a single, withered blue rose at the center. The flame touched the skeleton of the rose,
"I am not here to remember the dead," Mai said softly. "I am here to dance for the living."
Mai Hanano never forgot the garden again. But she no longer dreamed of it. Instead, each morning, she stepped outside, spread her arms, and danced a new step—one she had invented herself. And the villagers, watching from their doorways, swore they saw small, impossible flowers bloom in the footprints she left behind.
Mai looked at her hands. She had spent her life maintaining, preserving, repeating. She had never once created.
From that day on, Mai understood: a shrine maiden does not guard the past. She is the seed of the future. And every dance is a prayer that something new might grow.
A figure knelt before it: a young man in robes the color of twilight. His face was featureless, like a porcelain mask.
