Supports switching to any rear and front cameras, with manual controls for every camera.
With 10 composition grid overlays and 9 crop guides, combinable with each other.
Fast and simultaneous capture in JPEG and DNG formats, for complete flexibility in post-processing.
Zoom with pinch gesture, by using the shutter button as zoom rocker or use the volume keys!
The exposure compensation is always available by swiping on the viewfinder.
Many options like shutter, zoom, exposure, white balance or camera switching are assignable to the volume keys.
Complete control over the exposure, metering, white balance, focus and sensitivity.
Features like ISO, manual exposure or manual white balance require the device to support that. The value range of the adjustments is also device-dependent. Check the compatibility of your device.
Take photos with multiple different exposures automatically.
New in version 5Now supports instantaneous capture even with JPEG+DNG on thousands of devices!
Capture picture series at regular intervals automatically (for instance timelapses or slow moving scenes)
Title card: Plot Summary (Lk21-style pacing – nonstop): Act 1 – Crash & Capture (10 mins) The survivors land on Skull Island. They’re immediately attacked by giant spiders (think Jumanji meets The Descent ). Kong appears, not to save them, but to crush the spiders—and two soldiers get stepped on accidentally. Packard screams, “Kill that monster!” But Dr. Ilene Chen (a cryptozoologist) insists: “He’s not the monster. He’s the wall .”
The team splits. One group (led by James Conrad , a cynical British tracker) finds an ancient temple filled with cave paintings. The paintings tell a terrifying truth: Kong is not alone. Below the island is a gateway to the Hollow Earth. And something worse is trying to claw its way up. Kong Skull Island Lk21
Enter: – a massive, bipedal lizard with armored bone plates and a skull-like face. It feeds on Kong’s kind. And it’s awake. Title card: Plot Summary (Lk21-style pacing – nonstop):
Meanwhile, Packard’s group sets a trap for Kong using napalm and explosives stolen from a downed plane. The trap fails spectacularly. Kong kills half the remaining men. Packard loses his mind. Packard screams, “Kill that monster
Here’s a draft story based on the idea of Kong: Skull Island as if it were adapted or reimagined for the platform (known for streaming high-energy, fast-paced, and often uncut action/adventure films with Indonesian/SE Asian audience sensibilities). Title: KONG: PULAU MAUT (KONG: ISLAND OF DEATH) Format: Lk21-style digital release – no long theatrical cuts, straight into the action. Rated R for intense creature violence and gore. Logline: In the aftermath of the Vietnam War, a rag-tag team of American soldiers, mercenaries, and a secretive biologist crash-lands on an uncharted Pacific island. They soon discover that the island’s god—a 100-foot ape named Kong—is the least of their problems. Opening Scene (Cold Open – 5 mins): 1973 – South China Sea, just after the fall of Saigon.
A U.S. military helicopter flies through a violent storm. Inside: (young, reckless, different from the older version in the original) argues with Lt. Col. Packard (obsessed with winning one last war). Flashes of lightning reveal something massive beneath the clouds. Then—BAM. A giant reptilian skull on the beach. The chopper is hit by... nothing? No. By a giant fist . Blackout.
The Skull Devil emerges from a sinkhole. It’s 120 feet of pure rage. Kong and the Devil fight across the island—trampling villages, collapsing cliffs, and destroying a river dam. The humans are caught in the middle.