That is the true "surprise." The Book of Wonders is not a manual of despair. It is a manual of agency. In a world of plagues, Mongols, and uncertain stars, the owner of this book could still draw a star on a doorframe and feel, for one night, safe.
Why such violence? Because the book was a tool for tawakkul (reliance on God) through knowing the worst. To see the omen is to defang it. We do not know the compiler’s name. Internal evidence suggests he was a munajjim (astrologer-astronomer) working in the Jalayirid court of Baghdad. The Jalayirids were Mongol successors who had embraced Persianate Islam. This was a traumatized era: the Mongol sack of Baghdad (1258) was living memory; the Black Death had swept through Mesopotamia; Timur (Tamerlane) was amassing his army to the east. Kitab Al-bulhan Pdf
Saturn is a gaunt, black-clad old man holding a scythe and a serpent. Jupiter is a regal judge in green. Mars, a blood-soaked swordsman. Venus, a lute-playing woman in a garden. These are not Greek personifications—they are Persianate kings, each ruling over a specific metal, day, and temperament. That is the true "surprise
By J.S. Ibrahimi
Many illustrations borrow from Zakariya al-Qazwini’s 13th-century Marvels of Creatures . But here, the Nessnas (a one-eyed, half-bodied creature that hops on one leg) and the Jinn are drawn with a raw, almost psychedelic intensity. The Būraq (the Prophet’s steed) appears in one marginal illustration, half-mule, half-peacock. Why such violence
In the vast, illuminated manuscript collections of the Bodleian Library at Oxford University (MS. Bodl. Or. 133), there rests a volume that defies simple categorization. It is not merely a book of astronomy, nor a grimoire, nor a bestiary, nor a history text. It is all of these at once, bound in 13th-century leather and painted in gold and lapis lazuli. This is Kitab al-Bulhan (كتاب البلهان) —