The film’s hook is brutal. Takumi Inui (Kamen Rider Faiz) is a broken, amnesiac wanderer. Mari Sonoda is a resistance fighter. And the antagonist, Kyoji Murakami (the Rose Orphnoch), now leads a fascist regime. The moral lines of the TV series are obliterated. Here, fighting for humanity feels futile. On Bilibili, where danmaku (bullet comments) fly across the screen, Paradise Lost has a legendary reputation. Search for the film, and you will find millions of views, fan-edited AMVs set to The People with No Name , and reaction videos filled with crying emojis.
Furthermore, Bilibili hosts a wealth of "deleted scenes" and director’s commentary translations. Hardcore fans have analyzed every frame: the weather symbolism, the use of silence before a transformation, and the tragic irony of the "Paradise" title card showing a nuclear winter. Paradise Lost set the standard for "dark" Rider films. You see its DNA in Kamen Rider 555: 20th Paradise Regained (the 2024 sequel) and even in Shin Kamen Rider . For Bilibili creators, it is the gold standard for "what if" fanfiction. kamen rider faiz paradise lost bilibili
In the sprawling multiverse of Kamen Rider, alternate endings are a dime a dozen. Yet, two decades after its release, one film still haunts the fandom: Kamen Rider Faiz: Paradise Lost (2003). For fans on Bilibili, China’s premier hub for otaku culture, this isn't just a movie—it is a tragedy wrapped in leather jackets and set to a techno beat. It is the “What if?” that no one asked for, but everyone needed. The Premise: Humanity’s Last Stand Unlike the TV series, which balanced high school drama with monster-of-the-week formulas, Paradise Lost opens in a full-blown apocalypse. The Orphnochs—the "monsters" of the series—have won. Twelve years after the show’s events, 90% of humanity has been eradicated. The survivors live in fortified domes like cattle, while the Orphnochs rule the surface, building their utopia: "Paradise." The film’s hook is brutal
Spoilers for a 20-year-old film: The heroes lose. Sort of. They save a child, but the world remains a wasteland. Takumi, as Faiz, rides off into the sunset, knowing his Orphnoch biology will eventually kill him. Bilibili culture, with its love for "刀" (knives—slang for heartbreaking plots), ranks this ending alongside Fate/Zero for emotional devastation. The Bilibili Experience: More Than Just Streaming Watching Paradise Lost on Bilibili is a ritual. Unlike Western platforms, Bilibili’s danmaku creates a virtual cinema. When the movie’s theme song, Justiφ's (pronounced "Justifaiz"), blasts through the speakers during the final battle, the screen becomes a wall of text. Viewers type the lyrics in real-time, creating a chorus of digital voices. And the antagonist, Kyoji Murakami (the Rose Orphnoch),
So, if you have a Bilibili account (or a VPN to access it), queue up the film. Turn on the danmaku. And when Takumi utters his final line—"I will fight... even if I have no tomorrow"—you will understand why, in this lost paradise, Kamen Rider Faiz is immortal.
Masato Kusaka, the notoriously hated Kaixa from the TV series, gets a shocking redemption arc in Paradise Lost . In the Bilibili comment sections, fans debate endlessly: Is he a hero or a manipulator? The film gives him a death scene so noble that it rewires how Chinese fans view the character. The bullet comments often read: "TV series: Hate Kusaka. Movie: Respect Kusaka."