Everybody Still Hates Chris - Season 1 <100% CERTIFIED>

For 22 years, the name “Chris Rock” has been synonymous with a specific kind of cringe-worthy, laugh-out-loud nostalgia. From 2005 to 2009, Everybody Hates Chris ran for four seasons, adapting the teenage years of the comedy legend into a stylized, sitcom version of 1980s Bedford-Stuyvesant, Brooklyn. It was a show that balanced the poverty of Roseanne with the surreal narration of The Wonder Years , all filtered through Rock’s uniquely sharp, observational wit. When it ended, fans mourned a classic.

The true MVP, however, is the narration. Chris Rock himself returns as the narrator—the adult Chris looking back on his childhood. His voice has aged, gained a gravelly wisdom, but his timing is as sharp as ever. The animated format allows the show to cut directly from a teenage Chris getting punched in the face to a cutaway of adult Chris in a recording booth, wincing and saying, “See? Told you. Still hurts.” These meta-moments are where Everybody Still Hates Chris truly finds its footing. Season 1 consists of ten episodes, each tackling a familiar but refreshed theme: school integration woes, family finances, first crushes, and the ever-present threat of the neighborhood bully, Caruso (a scene-stealing Kevin Michael Richardson).

So, when Paramount+ and CBS Studios announced Everybody Still Hates Chris , a reimagined, animated sequel series, the collective eyebrow of the internet raised. Did we need this? Could a cartoon capture the specific, grounded magic of the original live-action show? Everybody Still Hates Chris - Season 1

is a standout. The animation shines as Chris navigates a new, slightly more integrated school. The hallways are drawn as a chaotic jungle, with lockers as territorial watering holes. When Caruso shoves Chris into a trash can, the show does a slow-motion, dramatic recreation of a war movie death scene, complete with sad violin music and Chris’s voiceover: “Every time I died in school, I got resurrected just in time for third period.”

An episode about a racist shop teacher who assumes Chris stole a calculator is handled with brutal, satirical efficiency. Adult Chris’s narration cuts in: “In the 80s, if you were a Black kid in a mostly white space, you didn’t have to steal anything to get in trouble. You just had to exist.” The scene then cuts to a surreal courtroom where the prosecution is a jury of calculators. It’s absurd, but the point lands. For 22 years, the name “Chris Rock” has

The answer is: you don’t. You evolve.

The show doesn’t preach. It uses the distance of animation and the hindsight of history to highlight how ridiculous and persistent these injustices are, without ever letting the message overwhelm the jokes. Everybody Still Hates Chris – Season 1 is a triumph of creative risk-taking. It honors the legacy of the original while forging its own identity. It is funnier, faster, and visually more inventive than its predecessor, even if it sacrifices a small measure of the original’s raw heart. When it ended, fans mourned a classic

For fans of the original, the show is a warm, familiar hug—with a few sharp elbow jabs to the ribs for good measure. The returning voices of Crews and Arnold act as an anchor, while Chris Rock’s narration is as brilliant as ever. For newcomers, the show is a perfect entry point: a self-contained, animated comedy about the universal hell of being 13, no matter the decade.

Does everybody still hate Chris? Yes. Absolutely. But after this spectacular first season, audiences are going to love watching him suffer.