Cheap Trick - In Color - Steve Albini - Sessions -1998 Cd Flac-

Rick Nielsen’s guitar solo is sloppy. Not lazy, but aggressive. You can hear him stomp a distortion pedal in the left channel 0.5 seconds before the solo starts. Most producers would edit that out. Albini left it in because "that’s what playing feels like."

9/10 for sound quality (Loses one point because the vocals are intentionally too quiet in the mix). Mood: Angry, sweaty, and perfect for a winter garage.

The gem of the session. In 1977, this was sweet. In 1998, it is sleazy. Tom Petersson’s 12-string bass is so distorted it clips the preamp (Albini left it in). The FLAC version shows you the "air" between the guitar strings; it’s not clean, but it is honest . Rick Nielsen’s guitar solo is sloppy

The result? A brutalist, stripped-down re-recording of their 1977 classic, In Color . Officially released as a promo CD in 1998 (and later a very limited Japanese tour item), this isn’t just a remaster; it is a full-throated exhumation. Today, we are analyzing the of that elusive disc.

Deep Dive: Cheap Trick’s “In Color” – The Lost Albini Raw Nerve (1998 CD FLAC Review) Most producers would edit that out

If you only know Cheap Trick from the glossy sheen of Live at Budokan or the radio-friendly crunch of “Surrender,” you might be shocked to your core by the session that almost wasn’t. In the midst of the late-90s alt-rock gold rush, the legendary rock pranksters stepped into the lion’s den: Steve Albini’s Electrical Audio.

This disc is out of print. Copies on Discogs run for $150+. However, the band has hinted at a "Raw Albini Box Set" for 2025. Until then, if you find a used copy, rip it to FLAC immediately. The gem of the session

The band hired him to re-record In Color to prove a point: That they were punks before punk went mainstream. That they could be as raw as The Stooges. Albini didn't just produce this; he wired it. Live room, no isolation booths, vintage mics, and a mandate: "Play it like you hate it."

The original album starts with a crowd cheer. Albini deletes it. Instead, you hear Robin Zander count in, "One, two..." followed by the ring of Bun E. Carlos’s snare that sounds like a gunshot. The FLAC reveals the room —you hear the wood creak.

Streaming services (Spotify/Apple) use the 2008 "remaster," which brick-walled the dynamics. The Albini session is available on some platforms, but streamed at 256kbps AAC.