The next morning, a graduate student found Dr. Sugimoto in the padded chair, the cranial cap still humming. His eyes were open. His expression was blank—not peaceful, not pained. Simply empty , as if someone had erased every sensation he had ever stolen.
The chair was Sugimoto’s true masterpiece. It could not only record sensation but amplify it, feeding back loops of pleasure, fear, submission—any frequency the wearer produced. He called it “Lecherous Treatment” in his private notes, a phrase he typed with clinical detachment. The next morning, a graduate student found Dr
The first few experiments were gentle. Recordings of comfort, a warm blanket, the taste of chocolate. Sugimoto reviewed the data with cold precision. But soon the recordings grew darker. He discovered that fear produced richer neural data than joy. Desperation, sharper than contentment. And humiliation—humiliation painted the brain in colors he had never seen. His expression was blank—not peaceful, not pained
He lied.
One night, he strapped in a young woman named Rei. She had been living in an internet café, three months behind on everything. She trusted his white coat, his gentle voice, the promise of 50,000 yen. It could not only record sensation but amplify
Dr. Sugimoto was a genius of neural mapping, a man who had spent three decades refining a device called the Synchro-Lens. The Lens could record sensory experience directly from a person’s nervous system and replay it in another subject’s brain. His peers called it the “empathy machine.” They envisioned it curing trauma, bridging political divides, teaching compassion.
Later, alone in his quarters, he played the recording back through the chair. He closed his eyes. He felt what she had felt. And for the first time in years, Dr. Sugimoto smiled.