I leave the bike at a wooden jetty near (Cloud Mountain). The hill is only 40 meters high, but from the top, Lake Rāzna spreads like a shattered mirror. Islands dot it – 13, according to legend, one for each of Christ’s disciples minus Judas. The water today is not blue. It is grey-blue , the color of a storm petrel’s wing, or a soldier’s winter coat. A cold wind from Belarus. I sit for an hour. No phone signal. No sound except the klunk-klunk of a distant fishing boat’s engine.
Walk on, then. Into the blue-grey. October 2026 | Rīga–Rēzekne–Rāzna–Daugavpils–Aglona–Jaunsloboda
I skip the city center’s chain cafes. Instead, I take tram #3 to , a working-class district on the old Polish border. Here, wooden houses lean into each other. A bar called “Pie Alekseja” serves piva (beer) and šprotes (sprats) on black bread. The clientele: factory workers, a retired KGB officer (he tells me; I don’t ask), and a young Latgalian poet named Zane. She recites a line from memory: “Mūsu valoda ir migla / Mēs elpojam cauri vēsturei” (Our language is fog / We breathe through history). She gives me a photocopied chapbook. Price: a promise to read it on the train home. Day 4: The Sacred Triangle – Aglona, Andrupene, and The Old Believers’ Island No bicycle today. A hired car (€35, driver Jānis, who chain-smokes and listens to Latgalian folk metal). Destination: the holy triangle of Latgale.
I stay only three hours. But I leave with a truth anyway: Latgale is not a destination. It is a method – a way of being present in a world that prefers speed. The 6:47 AM train from Rēzekne to Rīga. Same route, but reversed. The lakes now appear on the left. The grandmother with the doilies is gone. Instead, a young soldier heading to base, reading a thriller in Russian. A nun eating an apple. A child drawing a house with a blue roof. latgale trip v3
Built by Tsar Alexander I after Napoleon’s invasion. Never saw a single shot fired in anger. Instead, it became a prison, a barracks, a concentration camp (first for Poles, then for Jews), then a Soviet garrison, then a museum. Walking the ramparts at 9 AM, alone except for a stray dog, I feel the weight of nested tragedies. A plaque in three languages: “Here, in 1941, 1,400 Jews were held before execution. Among them: children.”
A detour. Kaunata is not on most maps. It has a Catholic church (white, modest) and a Soviet-era cultural center (concrete, boarded). But behind the center, a miracle: a across a narrow strait. Operated by Jānis, 67, who has pulled the rope for 30 years. Cost: €0.50. We cross in silence. He points to a house on the opposite shore: “Mans tēvs tur dzimis. 1923. Viņš runāja tikai latgaliski līdz 20 gadu vecumam. Tad nāca latviešu valoda. Tad krievu. Tad atkal latviešu. Tagad – klusums.” (My father was born there. He spoke only Latgalian until age 20. Then Latvian. Then Russian. Then Latvian again. Now – silence.)
At the window, the landscape blurs. But Latgale holds. It is the water mother in my bones. The unglazed bowl in my bag. The promise to Zane the poet, kept now. I leave the bike at a wooden jetty near (Cloud Mountain)
Inside, V3’s first discovery: a room dedicated to . Not the polite folk pottery of tourism brochures, but fierce, glazed figures – horses with human eyes, demons with three heads, jugs shaped like pregnant women. A sign reads: “Keramika – runājošais māls” (Ceramics – speaking clay). I buy a small bowl, unglazed on the outside, cobalt-blue within. The vendor, an elderly man with one tooth and two world wars in his posture, says: “Tas ir Latgale. Smags ārpusē, dziļš iekšpusē.” (Hard on the outside, deep inside.)
Thirty minutes east. Andrupene is not a museum. It is a living village of potters. I visit the workshop of , 84, whose hands are cracked like dry lakebed. He throws a bowl in 90 seconds, then explains the glaze: local sand, birch ash, and a secret he calls “zaļais spēks” (green power). I buy a jug shaped like a rooster. He laughs: “Tas dziedās tikai tad, kad būsi laimīgs.” (It will crow only when you are happy.)
I sleep that night in a homestay in (yes, the Russian name remains on some signs). The hostess, Irēna, serves sklandrausis – a sweet-savory carrot-and-potato pie, baked in a wood oven. We eat by candlelight. She says: “Latgale nav vieta. Latgale ir laiks.” (Latgale is not a place. Latgale is time.) Day 3: Daugavpils – The Fortress, The Mark Rothko, and The Unbroken A morning bus south to Daugavpils. The city is often called “the least Latvian city” – majority Russian-speaking, industrial, blunt. V3’s challenge: to find its hidden tenderness. The water today is not blue
Lunch at – grey pea soup with smoked pork knuckle, washed down with kvass. No tourists. Only a railway worker, a priest, and a woman reading a newspaper printed in Latgalian script. I try to read a headline: “Sātai vaļā” – roughly, “The heart is open.” Yes, I think. That’s the key. Day 2: The Lake Circuit – By Bicycle Through Liquid Silence Rented a battered “Ardis” bicycle from a garage near Rēzekne’s bus station. Destination: the Rāzna National Park , specifically the 30-kilometer loop around Lake Rāzna – the second largest lake in Latvia, but the clearest. The route is called “Zilais loks” (The Blue Loop). V3’s true test.
The journey east is a slow revelation. First, the coniferous monotony of Vidzeme. Then, near Jēkabpils, the landscape begins to fold . Low hills. Birch trees stripped half-bare. And then – the lakes. They appear without warning: Cirišs, Rušons, and later, the sprawling majesty of Lubāns, Latvia’s largest lake, more a flooded plain than a proper body of water. The grandmother points: “Ūdens dvēsele” – water’s soul. By the time we pull into Rēzekne at 10:15, my notebook is already wet with dew from the open window.
But V3 is not about despair. The fortress’s eastern wing houses the – because Rothko, the abstract expressionist, was born in Daugavpils (then Dvinsk) in 1903. The centre’s current exhibition: “Black on Grey: The Latgale Years.” Rothko never painted Latgale directly, but his late, dark canvases – those floating rectangles of maroon, charcoal, and deep blue – are Latgale. They are the landscape of lakes under storm clouds, of faith without dogma, of silence that speaks.
The asphalt ends after 6 km. Gravel begins. Then, pure dirt. But the reward: the village of , population 37. Its Old Believers’ prayer house is a masterpiece of unadorned faith – no icons in gold, only hand-painted wooden saints, their faces eroded by candle smoke. An Old Believer named Agafya invites me in. She speaks Russian, but writes a word in my notebook: “Pokayaniye” – repentance. Not sorrow, she explains. “The act of turning around.” Latgale is full of such turning points.
An elder named Timofei invites me into his izba. He serves sbiten (a honey-spice tea) and shows me a handwritten prayer book from 1789. He asks: “Why do you come here, to the end of the road?” I say: “To understand slowness.” He nods. “Then you must stay three days. One day is curiosity. Three days is truth.”
