On the first anniversary of the project’s launch, Jovana brought him a cake. On it, in icing, was the outline of “The Hearth.” Below it, the words: Dom za svakoga —A home for everyone.

One autumn afternoon, his daughter, Jovana, visited him. She was a practical woman, a manager at a construction supply company. She found him brooding over a half-finished sketch.

In the quiet suburb of Žarkovo, just outside Belgrade, an elderly architect named Mihailo spent his days staring at a dusty blueprint. For forty years, he had designed custom homes for Serbia’s wealthy elite—each one unique, each one demanding years of revisions, site visits, and sleepless nights. But now, at seventy-two, his hands trembled, and his clients had all moved on to younger, faster architects using glossy 3D software.

Mihailo scoffed. “Pre-fabricated dreams? Boxes for people with no imagination?”

The next morning, he showed it to Jovana.

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